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Here’s a preview (the publisher’s annotation, for you publishing nerds):
Faced with dwindling resources and warring tribes, the colony on Roanoke Island begins to crumble while one young housekeeper commits herself to recording her every memory of the Lost Colony.
In 1587, the 118 men, women, and children of the “Lost Colony” were abandoned by their governor on what is now Roanoke Island, North Carolina, and never heard from again. In this fictional journal, Emme Merrimoth—one of the actual colonists of Roanoke—recounts the harrowing journey that brought the colonists to the New World. During the voyage, Emme becomes involved with Governor John White, who reassigns her to his household and then asks her to marry him. With no better prospects and happy to be free of her bland former employers, Emme agrees. Once on Roanoke, the colonist restore the village abandoned by former English settlers and realize, when faced with hostile natives, that they have been misled by White. White plots to return to England to avoid the hardship of the New World, and he and his supporters drive a hard bargain with the colonists: they will send back much-needed supplies from England if they allow White to flee without interference. Faced with little choice, the colonists agree, and are left to fare on their own. Emme, due to a scandalous past, is accused of witchcraft, shunned by the colonists, and enslaved by a nearby tribe. But throughout these dramatic turn of events, Emme commits herself to putting down on paper her every memory of the Lost Colony.
And here are some wonderful endorsements from some even more wonderful writers (the blurbs, also for you in the know):
“Left in the Wind is a stirring action-packed adventure story full of passion, fear, love, friendship, rage, and jealousy. Go a little deeper and it’s a history lesson, an exploration of sexuality, and a sad exposition of the clashes between Old World and New World peoples. Deeper still and the story can be read as a metaphor of the creative process. Gray’s magnificent protagonist and story teller, Emme Merrimoth, says, ‘All I can do is record what I remember. If some of it be true and some be dream, so be it. It was all real to me.’ I think Gray is telling us that when the known history is limited, an alternate course of action for the truth seeker is artful fiction. This novel satisfies at all its levels.”Ernest Herbert, author of ‘The Old American’ and the seven-novel Darby Chronicles
“Ed Gray has taken an intriguing premise and delivered a fabulous wallop of a tale. Ribald and funny, gruesome and stark, Left in the Wind offers up the distinct stench of sixteenth century European colonists adrift in a new world, of horrors of their own making, of innocence run afoul. If Gray hadn’t gone to such pains to make clear otherwise, we’d feel the weight of discovery upon us. Perhaps the ultimate delight here is the sense of history as so much fiction, so often disguised. I believed Emme Merrimoth, even as she insisted I should not.” Jeffrey Lent, international bestselling author of ‘In the Fall,’ ‘Lost Nation,’ and ‘A Slant of Light’
“A tiny settlement on the edge of a howling wilderness. One woman’s story on the brink of emptiness and silence. The settlement is doomed. We know that almost from the beginning. But what happens to the story? Well, therein lies a tale. And it’s one Ed Gray—and his indomitable heroine Emme Merrimoth—tells with cleverness, wit, and a great eye for adventure.Left In the Wind teems with historical detail, knowing accounts of human passions under the pressures of survival, and the powerful fears and hopes of the human heart longing for a New World.” John Griesemer, international bestselling author of ‘Signal & Noise,’ ‘No One Thinks of Greenland,’ and ‘Hearts of Men’